Max, recently orphaned, goes to see a screening of a B-horror movie her mother made 20 years earlier. When Max and her friends find themselves in the world of the film itself, they must apply their knowledge of horror tropes to survive.
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Max, recently orphaned, goes to see a screening of a B-horror movie her mother made 20 years earlier. When Max and her friends find themselves in the world of the film itself, they must apply their knowledge of horror tropes to survive.
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Life has changed drastically for thunder buddies John (Mark Wahlberg), now a bachelor, and best pal Ted (Seth MacFarlane), now married to the woman (Jessica Barth) of his dreams. Problems arise when the couple decide to adopt a child, but the law declares Ted to be property and not a person. Angry and dejected, the lovably foulmouthed teddy bear must now seek legal help from a young lawyer (Amanda Seyfried) and a legendary, civil-rights attorney (Morgan Freeman) to get the justice he deserves.
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Life has changed drastically for thunder buddies John (Mark Wahlberg), now a bachelor, and best pal Ted (Seth MacFarlane), now married to the woman (Jessica Barth) of his dreams. Problems arise when the couple decide to adopt a child, but the law declares Ted to be property and not a person. Angry and dejected, the lovably foulmouthed teddy bear must now seek legal help from a young lawyer (Amanda Seyfried) and a legendary, civil-rights attorney (Morgan Freeman) to get the justice he deserves.
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On Halloween night, three misfits dress up in costumes and force the employees of a Mexican cantina to engage in depraved gluttony.
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On Halloween night, three misfits dress up in costumes and force the employees of a Mexican cantina to engage in depraved gluttony.
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Five toilets – five stories! This pitch black comedy relentlessly illuminates the darkest corners of society, thereby revealing a colorful potpourri of human perfidy. The five intertwined episodes are staged in the manner of an intimate play, occasionally testing the audiences moral judgment.
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Riley (Kaitlyn Dias) is a happy, hockey-loving 11-year-old Midwestern girl, but her world turns upside-down when she and her parents move to San Francisco. Riley’s emotions — led by Joy (Amy Poehler) — try to guide her through this difficult, life-changing event. However, the stress of the move brings Sadness (Phyllis Smith) to the forefront. When Joy and Sadness are inadvertently swept into the far reaches of Riley’s mind, the only emotions left in Headquarters are Anger, Fear and Disgust.
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