A pizza delivery girl at the end of her financial rope has to fight for her life – and her tips – when her last order of the night turns out to be high society Satanists in need of a virgin sacrifice.
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A pizza delivery girl at the end of her financial rope has to fight for her life – and her tips – when her last order of the night turns out to be high society Satanists in need of a virgin sacrifice.
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In 1987 Britain, Javed Khan is a British-Pakistani college arts student in Luton in a family with a domineering father. Depressed by his oppressive family life and feeling he has no future in a hostile community, a newfound friend introduces Javed to the music of Bruce Springsteen. Touched by the rock star’s powerfully eloquent affinity of his own feelings, Javed is inspired to reach out for his own dreams with his own talents. However, although Javed finds friends he never expected in this personal quest, he also finds himself butting heads with his newly unemployed father who stubbornly refuses to understand his son’s new aspirations. In this conflict of values in a troubled time, Javed must decide what is truly important to him while his family struggles to understand what has changed and what remains with a new generation feeling born to run.
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In 1987 Britain, Javed Khan is a British-Pakistani college arts student in Luton in a family with a domineering father. Depressed by his oppressive family life and feeling he has no future in a hostile community, a newfound friend introduces Javed to the music of Bruce Springsteen. Touched by the rock star’s powerfully eloquent affinity of his own feelings, Javed is inspired to reach out for his own dreams with his own talents. However, although Javed finds friends he never expected in this personal quest, he also finds himself butting heads with his newly unemployed father who stubbornly refuses to understand his son’s new aspirations. In this conflict of values in a troubled time, Javed must decide what is truly important to him while his family struggles to understand what has changed and what remains with a new generation feeling born to run.
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Katherine Newbury (Emma Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women,” she puts affirmative action on the to-do list, and –presto!–Molly (Mindy Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Wanting to prove she’s not merely a diversity hire who’s disrupting the comfort of the brotherhood, Molly is determined to help Katherine revitalize her show and career–and possibly effect even bigger change at the same time.
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Katherine Newbury (Emma Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women,” she puts affirmative action on the to-do list, and –presto!–Molly (Mindy Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Wanting to prove she’s not merely a diversity hire who’s disrupting the comfort of the brotherhood, Molly is determined to help Katherine revitalize her show and career–and possibly effect even bigger change at the same time.
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The gang is pulled out of retirement to investigate a mystery on a familiar zombie-infested island.
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Cursed demonic circus clowns set out on a vengeful massacre using tornadoes. A stripper, Elvis impersonator, truck driver, teen runaway, and a dude get caught in the supernatural battle between femme fatal and the boss clown from hell.
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